CTM Festival models an open, networked, global music culture through its annual festival, commissions, concerts, and club nights.
Emerging from Berlin’s DIY and club scenes in 1999, the platform highlights wildly different, experimental, and mutating scenes, exploring political and technological entanglements via new strains of pop and fringe culture.
Over four years with the festival, I produced hundreds of event texts and artist bios and edited our annual magazine for cultural enquiry and criticism. I also served as artist liaison and supported production at the festival and Polymorphism event series at Berghain | Panorama Bar.
Sr. Copywriter & Editor; Event Production; Artist Relations
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Dis Continuity 2014
Mapping an alternative or neglected history of electronic and experimental music. More here.
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Un Tune 2015
Unsettling habitual and consensual states, and expanding perception through sound. More here.
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New Geographies 2016
Examining collapsing borders, hybrid topographies, and opening up to a polycentric (music) world. More here.
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Fear Anger Love 2017
Radical forms of expression and dissonant emotions, and the diverse strategies that unleash or harness them. More here.
